SPIRITS ABROAD – Cover reveal

13 Jun

So if you follow me on Twitter or Facebook (or worst of all, BOTH), you will have seen this plenty of times, but I am super excited about it and will not rest till I have posted it on every Internet outlet possible. I may start printing it off and sticking it to lamp-posts.

For lo! I have a cover!

SPIRITS ABROAD cover - woman's face with eyes shut and a frangipani in the middle of her forehead

Back copy

“If you live near the jungle, you will realise that what is real and what is not real is not always clear. In the forest there is not a big gap between the two.”

A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.

Straddling the worlds of the mundane and the magical, SPIRITS ABROAD collects 10 science fiction and fantasy stories with a distinctively Malaysian sensibility.

Launch

The book will be out in a week’s time (!) from Fixi Novo, an imprint of Buku Fixi, an indie press I’ve been following with great interest since it was started up by the confusingly multi-talented Amir Muhammad. Fixi has taken off in a huge way since its early days, and I am thrilled to be published with them.

As I mentioned in my previous post, the launch will be at Whitebox @ Publika, starting at 5 pm on Saturday 21st: the Facebook event has more details. Fellow Malaysian SF author Ee Leen Lee will also be launching her book, 13 MOONS. It should be good! Do come if you are in KL. (Must BYO spirits, though.)

How you can get ahold of the book

Because a couple of people asked — the paperback will be available for purchase on Amazon US if you’re outside Malaysia. I’ll put up a link when it’s up. I’ll also be selling/giving away a few once I get ahold of my author copies, and I’ll be happy to ship those anywhere in the world.

Plus, I’m planning to release an ebook version soon, which will probably have extra stories. \o/ I’d also like to include other extras, though I can’t think of anything just this minute. What sort of extras would you like to see? Maybe I’ll do a “DVD commentary” (do people still do these for fic?), or an interview or something. (I will interview … MYSELF)

Anyway! I don’t expect to shift that many copies of the ebook, but I just want to make sure any readers outside Malaysia can get ahold of the book easily if they want it (and TBH, to the extent that I have readers, the overwhelming majority of them are outside Malaysia). If you’re inside Malaysia, though, it’ll be super easy to get — order from the website (not yet la, after launch only can), or in stores.

Full Table of Contents below the cut!

[...]

The Cooler Lumpur Festival

11 Jun

In just over a week’s time I’m going to be back in Malaysia! \o/ I haven’t been home in more than a year. It feels like it’s been DECADES. I am super excited.

I’ll be appearing at #FAST: The Cooler Lumpur Festival, a multidisciplinary arts festival that’s all about ideas. And hashtags. Hashtag ideas!

Programme items I’ll be on:

FIXI NOVO Book Launch
Saturday, 21 June 2014
5.00 pm – 6.30 pm
White Box @ Publika
Facebook event: Fixi Novo Double Book Launch

Fixi Novo will be launching my first book, Spirits Abroad, which collects 10 short stories including three new stories that have never been published anywhere yet ever. !!!

There will also be another awesome Malaysian author launching a book at this event. More details to come soon!

The Age of Creativity
Saturday, 21 June 2014
8.00 pm – 9.00 pm
Black Box @ Publika
Facebook event: The Age of Creativity panel

Do we have enough fresh, new, and unique ideas to continue to push the boundaries of literature and music and film? Is everything derivative? Whatever happened to originality? Is it something altogether unattainable in this day and age? A discussion on what – if anything – is lacking in the world of the arts. A discussion on whether such creative doomsaying is premature.

Panelists: Gary Thomas, Ian Casocot, Zen Cho
Moderator: Lee Chwi Lynn

This is a really interesting topic, and ties in with the thing I’m on the next evening in a totally unplanned way —

“Inspiration, Influence and Interaction” Writing Workshop
Sunday, 22 Jun 2014
6.30 pm – 9.30 pm It’ll probably be more like 8.30 pm, to be honest. People will be tired and hungry!
Interpr8 Art Space, Publika
Facebook event: Writing workshop

Writing is often viewed as a solitary activity, but nobody creates in a vacuum. Writers are influenced not only by the books they read, but by art, movies, pop culture, politics and their peers. In this workshop participants will discuss their artistic influences, generate ideas, and consider how to draw upon existing works and ideas in their creative practice to produce work that is distinctively their own.

Tickets are available at www.tix.my (RM20 online; RM25 at the door).

I am also running a writing workshop! I’m hoping it’ll be a fun conversation with lots of noodling about ideas and writing of little snippets and so on and so forth. #Faster sign up! Ahhh, I kill myself.

You can see the full programme here. Let me know if you’re going to be there!

Grants, aunts and mammoths

5 May

Catching up on some news:

 

Speculative Literature Foundation Writing Grants

I’ll be helping to judge the SLF’s new Diverse Writers and Diverse Worlds Grants! These are grants of US$500 each for writers who are working on books (novels or short story collections) in the speculative fiction genre. The Diverse Writers grant is for writers from traditionally underrepresented/marginalised backgrounds, and the Diverse Worlds grant is for work that presents diverse worlds well, regardless of the writer’s background.

If this sounds like it might be relevant to your interests, have a look at the guidelines and send in your WIPs for fun and (potential) profit! The deadline for applications is 31 July.

 

The House of Aunts on stage

The Stanford Asian American Theatre Project is putting on a theatrical adaptation of my story THE HOUSE OF AUNTS. I have had nothing to do with it whatever — I mean, apart from saying “Sure!” when I was asked if they could do it — and it is pretty cool to see the story wandering around the world on its own legs. The Facebook event page has details of the show if you are in Stanford this week and want to check it out: AATP Presents THE HOUSE OF AUNTS.

There’s also an amusing trailer here (links to Facebook, but I don’t think you have to be logged in to see it): Trailer for THE HOUSE OF AUNTS.

 

The Mammoth Book of SF Stories by Women

I am very pleased to have a story in the upcoming anthology The Mammoth Book of SF Stories by Women, edited by Alex Dally MacFarlane. It’s a reprint of my story THE FOUR GENERATIONS OF CHANG E, about the Moon Goddess Chang E as the ultimate overseas outer space Chinese.

Kristin Mandigma’s hilarious aswang story is also in the anthology! That’s enough to show it’s a good Table of Contents, but if you want to see the full line-up, have a look at the SF Signal announcement. (The cover is also very cool!)

 

So that’s all pretty cool! In terms of actual writing, I am plugging away at the novel revision, and hoping to have that wrapped up in a couple of months so I can have a bit of time to write a couple of short stories. I haven’t written a short story in super long lor. I also have plans for self-publishing and whatnot, but all must await the pleasure of the novel!

Blog hop: on writing

14 Apr

I am doing a blog hop thing! I was invited to do it by Shannon Phillips, who has a story in a new anthology from World Weaver Press. It is like a promotional meme — you answer a bunch of questions about writing and then you link to other writers and tell people about them — so here goes.

This is Shannon Phillips:

Shannon Phillips lives in Oakland, where she keeps chickens, a dog, three boys, and a husband. Her first novel, The Millennial Sword, tells the story of the modern-day Lady of the Lake. Her short fiction has been featured in Dragon magazine, Rose Red Review, and the upcoming anthology Fae from World Weaver Press.

And these are the questions she sent me!

 

1) What am I working on?

I’m working on yet another revision of my Regency fantasy of manners about England’s first black Sorcerer Royal. This has been my main writing project since late 2012, but in intervals between working on it I’ve also been working on Space Villette (not its real title), a novella based on Charlotte Bronte’s Villette, but with a space opera setting influenced by the early kingdoms (or should I say mandalas?) of maritime Southeast Asia.

Well, I say it is a novella, but it’s almost 30k words in and the Lucy Snowe character hasn’t even started to make googly eyes at the M. Paul equivalent. That said, I plan to rewrite the whole thing from scratch once I’ve got the first draft done, so pretty much everything I say about it now should be discounted!

2) How does my work differ from others of its genre?

All of my stories are about colonialism. I guess the most obvious point of difference is that the main characters are usually non-white. To the extent that I can, even when I am playing with very Western/Eurocentric genres or tropes, I try to infuse my stories with a non-Western sensibility, to refocus the narrative around characters who aren’t as often in the spotlight in English-language fiction. I don’t know how successful I am at doing that, but I keep trying.

Of course, when I am actually writing my main goal is not to make some big political point or other. My main goal is to write as many long rambling conversations and dumb jokes as people will let me get away with.

3) Why do I write what I do?

I remain profoundly shaped by my childhood reading and am processing it the best way I know how. I got told a lot of stories by my mom that I want other people to hear. I like reading long rambling conversations and dumb jokes myself. I think comfort reading shouldn’t come in just one flavour, or have just one kind of character as the focus. I’ve got a niche and I might as well keep going with it. History is interesting. I can’t write other stuff — I mean, in theory I could write a baseball economics book instead, but I don’t understand baseball or economics.

Lots of reasons!

4) How does my writing process work?

(i) Do anything except writing for as long as I can.

(ii) Bash out some hasty words just before bedtime, when I can no longer put it off.

(iii) Repeat the next day.

I generally take off one day a week, and don’t tend to write on holidays or if I’m travelling.

 

I’ve tagged the following authors, who will be posting the meme next week:

Alexandra Singer graduated from SUNY Purchase with a B.A. in Creative Writing. The is the author of the ongoing independent comic, Sfeer Theory. An avid fan of historical fantasy and fairy tales, her short stories have been featured in publications such as Chamberton Publishing’s Spotlight anthology and Crossed Genres Magazine. Her blog is at http://moonsheen.dreamwidth.org.

Eve Shi is an Indonesian writer. Her YA supernatural/horror novels are available in Indonesian bookstores. She’s working on more books of the same genre, as well as planning to write books in other genres.

A couple of belated updates: interview and book giveaway

24 Mar

Interview

Bristol Festival of Literature organiser Peter Sutton posted an interview with me on his blog:

Interview at Bristol Book Blog

I talk about writing, and my plans for conventions and festivals this year, and the fact that I secretly want to be a sort of Power Ranger giant robot combo of Edith Nesbit and Pankaj Mishra. Which is something I had not known until I did the interview, but is now my life mission!

Book giveaway

Anna Tan edited the Fixi Novo short story anthology Love in Penang which I’m in, and she is running a Love in Penang giveaway! I will put the giveaway code at the bottom of this post so you can enter it from here if you would like. She is giving the book away to one person based in Malaysia and one person based elsewhere.

I wrote a bit about my story in my post about the anthology here, but it’s basically a romcom about mistaken assumptions and misunderstandings. As all romcoms are, I guess! There is a happy ending, of course.

Here is the blurb for the book (it’s in English, in case you were wondering):

Penang, with its mix of old world charm and modern bustle, has captured the hearts of many – making it the ideal place for a little bit of romance. Bask in the sweetness of young hearts falling in love and cheer them on when circumstances stand in their way. Walk through the pain of broken relationships and rejoice at unexpected reunions. Whether you prefer it happy or bittersweet, straightforward or a little complicated, LOVE IN PENANG offers you 18 morsels of love in various forms.

a Rafflecopter giveaway

Strawberry Hills forever

21 Mar

Phew! It’s been an overwhelming couple of weeks at work, but I had a day off today. (A whole day off! Er, if you don’t count working till 2 am this morning. Which, let’s not for these purposes. Whole day off!!) So Cephas and I went to Strawberry Hill House!

20140323_165521

Strawberry Hill House is basically a troll house. As in, Horace Walpole was totally trolling via the medium of architecture. This is the only conclusion I can come to about a house that has wallpaper that is meant to make the walls look like they are made of carved Gothick stone.

(The walls don’t look like they’re made of stone. What they do look like is super cheesy!)

Horace Walpole also had a tiny pretty room dedicated solely to fanart of his novel The Mysterious Mother. I wish I was rich enough to build a room dedicated to fanart of my work. I mean, it would be empty, but still, it would be such an optimistic thing to have.

Pictures under the cut!

[...]

The Gift of Rain by Tan Twan Eng

19 Feb

In pre-WW2 Malaya, Anglo-Chinese Philip Hutton befriends Japanese aikijutsu master Hayato Endo. It doesn’t turn out well.

Surprise feature of this book: it’s a reincarnation story!

Probably won’t read Garden of Evening Mists as I understand it’s in a fairly similar vein, only with Japanese gardens instead of martial arts, and Cameron Highlands instead of Penang.

Links are interested in Southeast Asian literature

9 Feb

Calls for submissions

Poskod.MY are running a writing programme focusing on Kuala Lumpur’s untold stories: UnRepresented. They are looking for “writers who would like to spend ten weeks exploring themes of ‘being unrepresented’ and unrepresented narratives in and around KL“. The programme will consist of workshops and talks in eight weekend sessions held in March-May 2014. It sounds super interesting — if you are in the right country and up for it, you should totally apply! Deadline 19 February.

 

THE SEA IS OURS is a Southeast Asian steampunk anthology seeking short story submissions.

How does the steampunk aesthetic look, feel, sound, smell, or taste like in these regions? What kind of technologies would grow in resource-rich SEAsia? What do our historical figures, our Parameswaras, Trung sisters, Lapu-Lapus, do in such a world?

The anthology is edited by Jaymee Goh and Joyce Ch’ng, and will be put out by Rosarium Publishing, who did the book MOTHERSHIP: TALES OF AFROFUTURISM AND BEYOND (among others). Deadline 30 June.

 

Seen on the Readings Facebook group, a call for submissions of Malaysian poetry in English. Text reproduced below for non-Facebook users:

Prof Ghulam‘s message for all Msian poets writing in English:

I am working towards a new anthology of Malaysian poetry in English.

Hopefully this will provide the opportunity to new and not so new authors to get their work into print. I hope to collect around 80 poems by as many authors as possible by the end of March and the book published by the end of June. I will be happy to welcome poems from you or from others you know. Kindly pass the word around.

Pls email him directly at gsyousof@hotmail.com.

 

Help for playwrights

Also seen on Facebook, Singaporean playwright Alfian Sa’at makes an open offer, which I reproduce including emoticons:

If you have a play that deals with ethnic minority experiences in Singapore and need some help with it, please send it to me. I’m offering free one-on-one consultation for it. In English or Malay. PM me please! :)

 

Events

There is going to be a literary festival in Alor Setar in March! Find out more at the website: Alor Setar Literary Festival. They have missed their golden chance to hip-ify the name and call it “A.Star” or something like that, but otherwise it looks pretty cool!

(I am linking in part because (guilty confession) Alor Setar has always been in my mind a symbol for the boring one-horse town. I have never even really seen the town so it is a totally unfair, baseless judgment. I trace it to something my dad once said when we were visiting Edinburgh. Now, I like Edinburgh — a storied, beautiful city, bracingly hard on the calves — but my dad stood in the middle of Princes Street, looked up and down, and said, in the most unimpressed way anyone ever said anything: “One main street only. Like Alor Setar like that!”)

 

And an article

I found Mohammad A. Quayum’s article on English-language literature in Malaysia and Singapore interesting. He posits that Malaysian writing in English is thin on the ground and of variable quality because of politics around the national language and what counts as “national literature”. I really don’t know enough about the subject to comment, but will look forward to the continuation!