Tag Archives: cyberpunk malaysia

Nine Worlds 2015 update + book preorders

Nine Worldzzzz

On top of my three panels and a reading, I’ll now also be on Paul Cornell’s Only A Moment quiz panel on Saturday night at Nine Worlds. It’s a take-off of a well-known British radio and TV show. You’re supposed to talk for one minute on a topic given to you without hesitation, deviation or repetition. Those are my three greatest strengths in conversation! Updated full schedule here — do come and watch my inevitable downfall.

Thanks to everyone who’s ordered copies of SPIRITS ABROAD and CYBERPUNK: MALAYSIA for receipt at Nine Worlds. I’ll be there from Friday and will try to set aside some time per day to just sit in the lobby or another easy-to-find public area with the books, so people can come pick them up from me. I’ll say where I am on Twitter, so keep an eye on that. I’ll also contact pre-orderers directly.

The books will be available in the dealers’ room for those who haven’t pre-ordered. Each will come with a SORCERER TO THE CROWN postcard inside it, like this:

A photo posted by Zen (@zenaldehyde) on

I haven’t got that many of these, but if you catch me at the con and would like a postcard, just ask — I might have a few left!

Sorcerer to the Crown limited first editions

Fabulous first edition bookshop Goldsboro Books is going to be stocking a limited edition of SORCERER TO THE CROWN! It will be hardcover, signed and numbered and will have SPRAYED EDGES. (If you don’t know what sprayed edges are, this great Hodderscape post on the physical make-up of a book will tell you.)

I have to say that I am personally a practical ebook/mass market paperback sort of person: small, affordable, portable paperbacks are the books I grew up on, and I’ve only started buying hardcovers recently to support people I know. It’s kind of dumb because I then end up not reading them, since my only real reading time nowadays is on my commute and I am already mean enough to my back and shoulders, not to haul around the sort of tome my friends and acquaintances produce. (THANKS, KEN LIU.)

But it is very exciting to think that SORCERER will have sprayed edges, and having seen the cover proof, I can tell you with confidence that the book is going to be a beautiful object — whatever you think of its contents! There will be only 250 copies of the limited edition. You can pre-order one here.

SPIRITS ABROAD and CYBERPUNK: MALAYSIA at Nine Worlds

I am going to have copies of the super rare and totally awesome SPIRITS ABROAD and CYBERPUNK: MALAYSIA paperbacks at Nine Worlds! A few of them are already reserved:

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I KNEW I was going to find a retrospective excuse for having bought these incredibly cute post-it notes at Daiso.

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And here’s what CYBERPUNK: MALAYSIA looks like in the flesh. Shiny and chrome!

I’m hoping the books will be available at the Nine Worlds dealers’ room, but I don’t know yet if I’ll be able to arrange that. However, you can place an order for the books now and/or buy them from me directly at the con!

I am selling the books for £5.00 each, and I am happy to sign and personalise them for you. You can even ask me to do a doodle! I can only draw friendly elephants, though. Also, there will be ultra secret, super exclusive SORCERER TO THE CROWN swag, which I will totally give you FOR FREE. (I mean, I don’t want to inflate expectations. It’s just stationery. But I think it’s going to be nice stationery!)

If you think you’d like to buy them from me in person, I will beg you now to bring a £5 note if at all possible. Of course, it’s easiest if you pre-order using the form below — that will enable me to put aside a copy for you, as stocks are limited. And also it means I don’t have scrounge up £5 bills!

RESERVE YOUR BOOKS

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Aliens vs. cyborgs

The days have been such a blur* since I arrived in Malaysia that I forgot to post about this article I wrote for Poskod.MY sempena Cooler Lumpur:

What being an alien taught me about stories

I am eight years old, a new pupil at SRJK (C) Kwang Hwa.

“This is my new friend from England,” chirps my classmate when she introduces me. I have never been to England in my life, but why should she know the difference between USA and England? Here in Penang both countries seem equally distant and unreal.

My family moved from Malaysia to the US for a couple of years when I was a kid, so by that age I already knew what it was to be an alien.

Basically it’s me wondering aloud “what is the proper subject of the Asian/Malaysian writer?”

Don’t forget I’m running two giveaways for my anthology CYBERPUNK: MALAYSIA. Enter for free, win a book that is both shiny and chrome!

 

* I haven’t really been busy, unless you count “sleeping only three hours a night” and “obsessing over the Jonathan Strange and Mr. Norrell BBC series” as being busy. I do, but I admit there may be legitimate differences upon the point …

CYBERPUNK: MALAYSIA launch and giveaway

CYBERPUNK: MALAYSIA is out in the world! I’m really excited about this anthology and hope people will enjoy reading it as much as I enjoyed putting it together.

(Although I am never editing another anthology. It is TOO MUCH WORK. Hats off to the editors of the world.)

Here’s the Table of Contents:

Intro / Zen Cho
Underneath Her Tudung / Angeline Woon
Codes / Anna Tan
Personal / Sharmilla Ganesan
Attack of The Spambots / Terence Toh
ONE HUNDRED YEARS: Machine / Rafil Elyas
What the Andromaid Reads at Night / Ted Mahsun
KAKAK / William Tham Wai Liang
The Wall That Wasn’t a Wall / Kris Williamson
The Twins / Adiwijaya Iskandar
October 11 / Chin Ai-May
Undercover in Tanah Firdaus / Tina Isaacs
Unusual Suspects / Tariq Kamal
The White Mask / Zedeck Siew

We launched the book at Cooler Lumpur to a standing room only audience, with most of the authors in attendance:

Photo of Cyberpunk: Malaysia authors at launch

L to R: Sharmilla Ganesan, Foo Sek Han, Chin Ai-May, me, Ted Mahsun, Tina Isaacs, Terence Toh, Zedeck Siew, Anna Tan, Tariq Kamal

The cover of the book was also revealed for the first time at the launch. In a first for a Fixi book (er, apart from mine), the paperback and ebook have different covers, though the content is the same.

Cyberpunk Malaysia paperback

The paperback

Cyberpunk Malaysia ebook cover

The ebook

Cool, right? Here’s what the publisher says about the covers:

The print cover is simply a mirror. Why? Because our cyber experience is increasingly customised — at its simplest level, the ads and promoted posts you see are based on your own browsing history. So when you look directly at the cover, you will see your face leh.

The ebook cover is “Cyberpunk Malaysia” spelt out several times in binary.

The contents are exactly the same.

And here’s the blurb on the back of the book:

Cyberpunk as you’ve never seen it before…

Science fiction is all about outrageous ideas. Nice Malay girls breaking the rules. Censorship. Brain drain. Moral policing. Migrant exploitation. All the stuff of fiction, obviously.

But these 14 short stories take it one step further. The nice Malay girls are cyborgs. The spambots are people. The brains have drained into cyberspace, and the censorship is inside your head.

Welcome to CYBERPUNK: MALAYSIA.

You can buy the ebook now for US$3.90 on Google Play and Smashwords (other vendors to follow). If you prefer dead tree books, you can buy the print version from Fixi if you’re in Malaysia, or pre-order from Amazon.com if you’re outside Malaysia. And/or you can enter a couple of giveaways for a chance to win the print version!

I’m giving away 1 copy via Rafflecopter — you can sign up RIGHT HERE (no geographical limitations):

a Rafflecopter giveaway
Edited to add: I am also giving away 2 copies via GoodReads — enter below! Open worldwide. You’ll need a GoodReads account.

 

Goodreads Book Giveaway

 

CYBERPUNK by Zen Cho

 

CYBERPUNK

 

by Zen Cho

 

Giveaway ends June 22, 2015.

See the giveaway details at Goodreads.

 

 

Enter Giveaway

 

Note that the giveaway copies are the print version with the reflective cover. Both giveaways close on 22 June — enter and tell all your friends!

CYBERPUNK: MALAYSIA Table of Contents

I’m really excited to finally be able to talk about the Table of Contents for CYBERPUNK: MALAYSIA! Here’s the line-up:

“Underneath Her Tudung” by Angeline Woon
“Codes” by Anna Tan
“Personal” by Sharmilla Ganesan
“Attack of the Spambots” by Terence Toh
“ONE HUNDRED YEARS: Machine” by Rafil Elyas
“What The Andromaid Reads at Night” by Ted Mahsun
“KAKAK” by William Tham Wai Liang
“The Wall That Wasn’t A Wall” by Kris Williamson
“The Twins” by Adiwijaya Iskandar
“October 11” by Chin Ai-May
“Undercover in Tanah Firdaus” by Syamsuriatina Ishak writing as Tina Isaacs
“Unusual Suspects” by Tariq Kamal
“The White Mask” by Zedeck Siew
“Extracts from DMZINE #13 (January 2115)” by Foo Sek Han

So there are a number of Fixi stalwarts in the list, but this is also the first SF story sale for some of the writers, and the first fiction sale for at least one. Which is awesome!

It was really tough winnowing down the 100 odd submissions to this final selection, and there were great stories that I ultimately wasn’t able to include for fairly random reasons. I did a first slush read and narrowed the list down to a group of “maybes” that ended up being the length of two novels. And then I had to refine that down to “yeses plus maybes that are really very close to yes, but I need to think more about how the stories fit together”, which eventually went through the fire to become the final ToC. So by now I have read every story that has ended up in the anthology 5-6 times each, and I’m not sick of them yet — which I think is a good sign!

(I was also the pickiest editor Fixi has probably ever had, and can only be grateful to the authors for not telling me to bleep off, but instead doing sterling work on their stories.)

Recurring themes in the anthology: the war of the rich on the poor, religion (duh), moral policing, migrant labour, the multiple purposes of art, cities. It’s a very urban anthology; it’s a very Malaysian anthology. It’s skeptical but it’s also optimistic. I think people will enjoy reading it. I hope they find it as entertaining and heartening as I did, pulling it together.

It’s launching at the Cooler Lumpur Festival, whose theme this year is Dangerous Ideas — quite zhun because the anthology is full of dangerous ideas. The festival’s taking place this year from 12-14 June and I’m going to be doing a couple of things for them, and will of course be turning up to the launch if jet lag permits. So do come if you are around, and come say hello!

Q&A with Daphne Lee

I had a really interesting (and long!) email exchange with Daphne Lee of local, a reviews/opinion site focusing on Malaysian and Southeast Asian literature. We talked about writing fantasy, finding a voice in which to write Malaysian stories, how your reading influences your writing, Western/Malaysian publishing, and a bunch of other things. Read the interview at the link below!

Q&A: Zen Cho

A couple of other small updates:

There are 12 whole copies of SPIRITS ABROAD in stock at Amazon! Small victories, but after months of its either being out of stock or having only 2-3 copies available for sale on Amazon, this is very pleasing. (If you would like to buy the dead tree version of SPIRITS ABROAD but don’t want to give Amazon your money, friendly indie Big Green Bookshop should have a couple of copies for sale. They haven’t got it up on the website, but you can email them for details. And of course, there is always the ebook!)

Submissions for CYBERPUNK: MALAYSIA have closed. Thanks to everyone who sent in a story. We’ve received 99 submissions and I’m really looking forward to getting stuck into reading them and putting together the anthology.

CYBERPUNK: MALAYSIA Call for Submissions

I’m super excited about this!

Cyberpunk Malaysia Call for Entries

I’m editing a Malaysian cyberpunk anthology for Fixi Novo, who also published SPIRITS ABROAD. For people who can’t do images, the Call for Entries is at the end of this post, under the cut.

Backstory

Amir posted about how he came to decide to do a cyberpunk anthology on Facebook: Amir’s Facebook post. Very cute! The originator actually provided a list of examples of the genre, so here it is in case you find it helpful:

Blade Runner, Total Recall, Johnny Mnemonic, The Matrix, Akira, Cowboy Bebop, Neo-Tokyo, Dredd

Amir decided pretty quickly, because on the same day, 14 August, I received an email from him asking if I’d like to edit a cyberpunk anthology. I was at Loncon, gearing up for a long weekend of approx. 9,000 panels, while also doing my bazillionth revision of a novel and drowning in work from actual job. I’ve never edited anything other than school magazines, plus I am not super familiar with the genre. I was like omg ////o\\\\

But the answer was yes, definitely. Of course la!

Working with Fixi is very humbling. You spend a couple of days crafting a perfectly balanced call for entries and then Amir says, “Can you cut it down? It needs to fit on Instagram.” And he removes your full stop after your ellipsis!

What I’m looking for

I read a review the other day that made me realise, with shock, that cyberpunk is kind of retro. I hadn’t quite registered that Neuromancer was literally published before I was born. The Matrix was made within living memory, of course, but even so, that was 15 years ago!

But the more I thought about it the more ideal it felt. It’s an old genre that is forward-looking, which is perfect in a weird way for a modern society suffused with nostalgia for an imagined ideal past. It’s all about living inside the Internet and being owned by corporations, which is maybe not an entirely inaccurate description of urban Malaysiana. It also works, obviously, because it’s basically KL NOIR 5 … NOW WITH SPACESHIPS!

So what am I looking for? I’m looking for stories (or creative non-fiction) that explore what cyberpunk can reveal about Malaysia (or vice versa). Stories that show convincingly what Cowboy Bebop would be like if it was set in Alor Setar. No black leather trenchcoats (too hot la), and if we could skip the tired sexism that is so often a hallmark of noir, that would be great. I’d be happy to read both stories that inhabited and played with the tropes of the genre, and stories that tried to do something new with those tropes.

Because cyberpunk was what people thought about the future, and a lot of it was produced in what is now the past, it got stuff wrong. It is an incomplete vision. I’m really interested in what the cyberpunk of now would look like — now that we really do live in the Internet and corporations own our souls. (You could write about separatist farmers! I would love to publish a cyberpunk story that was all about separatist farmers.)

So: cities, systems, cool outfits, robotic or bioengineered enhancements, near-future technology, fighting against The Man. Maybe even optimism? Maybe even that.

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