pendrecarc asked about my approach to editing.
It differs as between short stories and longer form fiction. With short stories I like to put a first draft aside to stew in its own juices for at least a couple of weeks. Then I print it off, go through it with a red pen, input my changes into the Word doc (usually changing the formatting to Standard Manuscript Format, if I haven’t already done that), and send it out. Between submissions I sometimes do edits, e.g. to reduce word count so it complies with the requirements of a particular venue, but otherwise I don’t do many passes on a short story.
Which isn’t to say I don’t do relatively major edits — I have cut out whole scenes and put in new ones, but that’s generally done on that single initial pass. I also don’t use any tools except the hard copy manuscript of the story itself, and maybe some paper to make notes on, if the notes can’t fit on the margins.
In my experience editors haven’t tended to ask for major edits to short stories. Which makes sense, I guess, because with a short story there is only so much you can change before it stops looking like the short story you bought in the first place.
With longer stories my approach is broadly the same, but I do more passes — a couple for The House of Aunts, spread over several months (though I wasn’t working on it continuously all those months) and a couple for Jade Yeo, but not really structural edits. The novel I’m currently working on has involved more editing than I’ve ever done before, and it’s been very educational! Continue reading