I’m super excited about this!
Amir posted about how he came to decide to do a cyberpunk anthology on Facebook: Amir’s Facebook post. Very cute! The originator actually provided a list of examples of the genre, so here it is in case you find it helpful:
Blade Runner, Total Recall, Johnny Mnemonic, The Matrix, Akira, Cowboy Bebop, Neo-Tokyo, Dredd
Amir decided pretty quickly, because on the same day, 14 August, I received an email from him asking if I’d like to edit a cyberpunk anthology. I was at Loncon, gearing up for a long weekend of approx. 9,000 panels, while also doing my bazillionth revision of a novel and drowning in work from actual job. I’ve never edited anything other than school magazines, plus I am not super familiar with the genre. I was like omg ////o\\\\
But the answer was yes, definitely. Of course la!
Working with Fixi is very humbling. You spend a couple of days crafting a perfectly balanced call for entries and then Amir says, “Can you cut it down? It needs to fit on Instagram.” And he removes your full stop after your ellipsis!
What I’m looking for
I read a review the other day that made me realise, with shock, that cyberpunk is kind of retro. I hadn’t quite registered that Neuromancer was literally published before I was born. The Matrix was made within living memory, of course, but even so, that was 15 years ago!
But the more I thought about it the more ideal it felt. It’s an old genre that is forward-looking, which is perfect in a weird way for a modern society suffused with nostalgia for an imagined ideal past. It’s all about living inside the Internet and being owned by corporations, which is maybe not an entirely inaccurate description of urban Malaysiana. It also works, obviously, because it’s basically KL NOIR 5 … NOW WITH SPACESHIPS!
So what am I looking for? I’m looking for stories (or creative non-fiction) that explore what cyberpunk can reveal about Malaysia (or vice versa). Stories that show convincingly what Cowboy Bebop would be like if it was set in Alor Setar. No black leather trenchcoats (too hot la), and if we could skip the tired sexism that is so often a hallmark of noir, that would be great. I’d be happy to read both stories that inhabited and played with the tropes of the genre, and stories that tried to do something new with those tropes.
Because cyberpunk was what people thought about the future, and a lot of it was produced in what is now the past, it got stuff wrong. It is an incomplete vision. I’m really interested in what the cyberpunk of now would look like — now that we really do live in the Internet and corporations own our souls. (You could write about separatist farmers! I would love to publish a cyberpunk story that was all about separatist farmers.)
So: cities, systems, cool outfits, robotic or bioengineered enhancements, near-future technology, fighting against The Man. Maybe even optimism? Maybe even that.
Call for Entries
To be published by Fixi Novo in June 2015
We seek short stories or creative non-fiction of 2000-5000 words.
A note from the editor Zen Cho:
Outcasts, cyborgs and anti-heroes stride through a neon-lit world ravaged by technology. Someone’s fighting for justice in a corrupt society, but they’ll probably need Wi-Fi to do it ….
We’re looking for Malaysian cyberpunk stories that are smart, subversive and cooler than Keanu Reeves in The Matrix. We’re living in the future cyberpunk half-imagined. Show us the other half.
Email entries to info at fixi dot com dot my. Deadline 31 December 2014.