The Loncon programme is out! OMG it is so long it goes on FOREVER. I am so excited! And terrified. :D:
My final programme looks pretty much identical to my draft programme, which I posted earlier this month, but there are two new events!
Asians at Loncon meetup
Friday 19:30 – 21:30, at the fan space
Yay, it is happening! If any of your identities include “Asian” and you’d like to meet other Asians at Loncon, turn up at the fan space at 7.30 pm on Friday. (I’ve got a panel ending at 7 pm, and am hoping it’s not too far from the fan space ….) No food or drink, I’m afraid, but we are allowed to eat there, so tapau/bungkus/grab a takeaway and come along and make friends!
Because a couple of people expressed concerns about this — Asians of all kinds are very welcome, including the diaspora. (It would be a bit rich of a Chinese Malaysian to reject the diaspora!)
Sunday 16:00 – 17:00, London Suite 4 (ExCeL)
Lawrence Watt Evans, Zen Cho
I have a kaffeeklatsch! That is
terrifying thrilling. I’ve never actually been to a kaffeeklatsch. I am very good at drinking coffee and chatting, though, due to the training imparted by the ancient traditions of my culture. (OMG if there is ever a Malaysian SFF con we should have mamak sessions instead of kaffeeklatsches. How cool would that be?)
I hope someone will come. :D: I will be there with some of my own books, and a book that is not by me for me to read if nobody turns up to talk to me. Maybe I will try to steal Lawrence Watt Evans’ fans!
SPIRITS ABROAD at Loncon
Also, don’t forget SPIRITS ABROAD will be available at the Big Green Bookshop stall in the Dealers’ Zone. If you’ve pre-ordered a copy directly from me online, I’m about to email you about how I can get hold of you at the con.
And here’s the final list of my panels!
The Deeper the Roots, the Stronger the Tree
Friday 10:00 – 11:00, Capital Suite 9 (ExCeL)
The roots of modern science fiction and fantasy are often associated with authors such as J.R.R. Tolkien, T.H. White, H.G. Wells, and Mary Shelley. But plenty of 19th- and early 20th-century authors with minimal or no fantastical or sfnal content have inspired and continue to inspire modern genre writing, including but not limited to Alexandre Dumas, Arthur Conan Doyle, Jane Austen, and Georgette Heyer. What is the on-going appeal of such authors, their styles, and their worlds? What is it about them that lends itself to genrefication?
Abigail Sutherland, Zen Cho, Mary Robinette Kowal, Kari Sperring, Delia Sherman
Friday 12:00 – 13:30, Capital Suite 2 (ExCeL)
Manga developed in Japan as a syncretic reaction to American comic books from an indigenous art perspective, to become a unique style of sequential art.
Manga has since emerged from Japan to become a vibrant style adopted by creators in other countries.
What are the more interesting and existing transformations that Manga has undergone in Japan, and outside its birthplace? What is the future of Manga as an art expression in the 21st century?
Zen Cho (M), Sarah Ash, Emmeline Pui Ling Dobson, Eric Senabre, Kyoko Ogushi
Cities: Where, Who, Why?
Friday 18:00 – 19:00, Capital Suite 10 (ExCeL)
Some cities — London being one — are well established as venues for stories, and SF and fantasy stories in particular. How do individual stories and personal experiences — insider and outsider views, those who have made a city their home and those who have migrated to it — interact to create the literary city? What power dynamics affect this process and what does that mean for our imagining of cities? Why do some cities rather than others develop this sort of literary aura — and which cities might we expect to see more of in the future?
Michael R. Underwood (M), Zen Cho, Ian McDonald, Yen Ooi, Sarah Shemilt
The World at Worldcon: SF/F in South and South-East Asia
Saturday 13:30 – 15:00, London Suite 2 (ExCeL)
South and South-East Asia include a huge span of nations, cultures and languages, so does it make any sense to talk of “Asian SF”? What are the traditions and touchstones of fantastical storytelling in South and South-East Asia? What is the state of genre there, and how have shared myths and a joint heritage of colonialism influenced it? A panel of writers and critics from India, Pakistan, Malaysia and The Philippines compare notes.
Mahvesh Murad (M), Zen Cho, Rochita Loenen-Ruiz, Victor Fernando R. Ocampo, Aishwarya Subramanian
The Education and Training of a Young Protagonist
Saturday 19:00 – 20:00, Capital Suite 10 (ExCeL)
Kids have to go to school, whether it’s a modern day educational institution or the school of hard knocks in a futuristic dystopia. How is education treated in SF? What might a futuristic classroom look like? What are some great examples of how education and training have been used by other authors?
Zen Cho, Gail Carriger, Jack Campbell, Dave Luckett, Frances Hardinge
Representation, Whitewashing and Internationalism in Fandom
Sunday 12:00 – 13:30, Capital Suite 13 (ExCeL)
Fandoms can provide positive spaces for engagement with and education about representing people of color, for example the negative impact of “whitewashing” (see racebending.com). In recent years, there’s been a more visible push by fandom for representation that more accurately reflects the community as a whole. But the issue itself is a complex one: How can the SF/F community challenge their perceptions of representation while also taking into account how concepts including “race” and “people of colour” vary in an international context? How can fandom avoid stereotyping and exclusion? What sort of models work in a general sense, but should not be applied to non-Western nations? Join our panelists in a challenging and lively conversation about these issues.
Zen Cho, Eylul Dogruel, Mark Oshiro, Russell Smith