As I mentioned in my previous post about my event at Kinokuniya KL last Saturday, Kino is the bookshop of my teenage years, because it was so huge and had what was at the time an unmatchable selection — not only of SFF, but YA/MG, manga, Asian literature, etc. etc. etc.
Then later a giant Borders or two opened closer to home in PJ, rendering the long trek to KLCC unnecessary, so my memories of Kino are really crystallised in time. It was nice to go back, especially as I got to admire the World SF table they’d kindly let me curate in person. (I didn’t put my own books on the list lah obviously. They added those themselves.)
A closer look at the selection, from Nigerians in space through Paris in the wake of a magical war to Hitler as a PI!
As for the event itself, it was really fun! I’d planned to fill up one hour but ended up taking around two. It was nice of Kino not to chase us out!
I was really worried that people would do that Malaysian thing of being too shy to raise their hands, and then only creeping round to ask questions afterwards one-on-one. (I mean, I can raise my hand as one of the people who does this. Except I wouldn’t raise my hand, of course.) I even prepped a friend to keep the chat going if no one volunteered questions: “Ask me about law! I can tell them about EU directives!”
But fortunately everyone was awesome and there were lots of questions! Thanks to everyone who asked — you are my hero and I am eternally grateful.
The only specific thing I remember saying was my explanation of the importance of plot. It goes like this: I used to think I didn’t really care about plot as a reader, but I’ve since learnt a bit more about how stories are made, and I now think that plot is to story like bones are to a person you fancy. You might say, “I’m not attracted to people based on their bones, I’m really more interested in their personality or whether they have a full head of lush hair.” But if you met someone who had no bones, at all, whatsoever, you might rapidly reconsider how important bones are to their attractiveness.
Anyway, so I’m still trying to figure out the bones of story.
The highlight of the event for me was meeting readers, obvs, but a close runner-up is the fact that illustrator Charis Loke gave me what, as far as I know, is the first piece of fanart for Sorcerer to the Crown!
There really is nothing like seeing the figments of your imagination being brought to life by another so sympathetically. I’m going to
sleep with it under my pillow eat it so it becomes a part of me frame it and put it on my wall and admire it forever.
I also signed some stock for Kino, so if you missed the event you can still pick up an autographed copy there! If you’re not that fussed about autographed copies or a 20% discount on your second item (also available in-store), you can buy the books online: they stock the US hardcover and the trade paperback with the UK cover, both RM75.
Photos are by me, Daphne Lee, Aaron Lim and my BFF Maxine Lim, who combines with all other ideal qualities of a best friend that of taking only flattering pictures of me.